Keedaa Cola Review

Why is this a film?

Jeevan (Jeevan) is fervently hoping to become a corporator after receiving mockery from one. He coerces his brother Naidu (Tharun Bhascker) into helping him, and Naidu comes up with a wild plan to get what he wants. What’s the concept? The main plot of the film is how Vasu, his grandfather, and his lawyer friend unintentionally join the scheme. What occurs to each person brings things to an end.

Acts:

Even if each character in Keedaa Cola contributes in some way to the plot, it is clear who is the main character. It’s none other than Tharun Bhascker, the filmmaker.
When it comes to on-screen presence and the “hero” mentality, Tharun Bhascker excels from the beginning to the conclusion. The actor easily lives up to it in the provided situation because of the way it is designed. Chaitanya Rao, who plays a man with Tourette syndrome, comes after Tharun Bhascker. It’s a difficult portion that might easily irritate you. Well done to the actor for pulling it off, even though it wasn’t very effective. It is less about the deed itself and more about character development. The character appears boring at first because of his infirmity and his dread.

Analysis:

Tharun Bhascker is in charge of directing Keedaa Cola. He directed two urban romantic comedies with a friendship theme running through them before deciding to tackle the crime comedy genre in this one.

Even though the genre may shift, the writing consistently bears the director’s signature from the beginning to the finish. It features his trademark wit and sharpness in between the many character exchanges.

In contrast to earlier films, this one differs in its characteristics. This is when the absurdity and silliness of the idea manifest themselves.

There are only a few characters, such as the CEO and his “conflict manager,” Shot, Jeevan, his assistant, Naidu, Vasu, and his grandfather and buddy. They all have distinct personalities that immediately set them apart.

It’s a simple, ridiculous, and elementary story. The goal is to use the distinctive character designs that the director creates to make the story engaging. The conversations these characters have are what drive the plot. It is, regrettably, a mixed bag.

While showcasing the characters and their quirks and boosting the proceedings with humour, the individual scenes drag. The issue is that some of them do not function.

For example, it seems like the interval has arrived so quickly. The pace isn’t fast, but it does occur right after the main plot and the different characters are introduced.

There is some sort of movement towards the main story in the second part of Keedaa Cola. The story is expanded with more characters, which elicits conflicting feelings once more.

However, the secret to the fun is that the second half’s blocks are more effective than the first. There are a few more in the space, but the full “Surrender Sequence” is a great example.

Even though it is finally seamlessly merged, the course that features Naidu and the simulator doesn’t seem very natural at first. It is not for everyone, and the peculiarities associated with the entire track may wear you out for a while. And that’s in spite of the really short runtime.

The conclusion is satisfactory and follows a predictable path, as anticipated from crime comedies. The absence of a wow or euphoric feeling is ultimately the issue.

In general, Keedaa Cola is a crime comedy in the vein of its filmmaker, Tharun Bhascker. Parts of his writing are amusing because of his oddball characters. However, their total doesn’t result in a more fulfilling experience. Try it out for some crazy-scenario fun, but be sure to set realistic expectations.

Actors’ Performances by Others

After some time, the legendary Brahmanandam makes an important appearance. In contrast to the assumptions one could have about him, it is a subtle aspect. Although the actor does a good job in his role, it is more akin to a puzzle piece.

In Keedaa Cola, Jeevan Kumar has a big part, and he does well. He fulfils his obligations, although it becomes monotonous after a while. The film effectively highlights his talent as a character artist, which is a plus. As Shots, Raghu Ram is a terrific fit for the part. His fury is humorously channelled, which fits in perfectly with the chaos around his persona.

As the buddy of the hero, Rag Mayur makes an effort and succeeds in several areas. Although important, the job could have had a greater impact. With his signature style, Vishnu OI excels. The scenes work better than his real performance. Rather than playing the stereotypical father, Muralidhar Gaud is ecstatic about the chance. The other artists are doing well.

Music and Additional Divisions?

The background score is the primary emphasis of Vivek Sagar’s compositions. It includes every component that one often connects with his scores. Nonetheless, there seems to be an occasional lack of connection between the musical cues and the actions. That is limited to a few locations; everything else is OK.

For a small-scale film, the cinematography is well done. AJ Aron excels at capturing the characters in cramped areas or, conversely, wide open spaces and making them appear fantastic in both scenarios on the big screen. However, there are moments when the grading appears excessive. The majority of Upendra Varma’s editing is clean.